A ROUTINE BOMB

by Michael Ratcliffe



“Hardly a week goes by in Germany without an unexploded bomb from World War II being found at a construction site or in another location.  [This past Wednesday, 3 April 2013, one such bomb was found in Berlin.] Authorities detonated a bomb in Munich on Tuesday night, August 28, 2012, after efforts to defuse it were unsuccessful. It wasn’t the only bomb scare in Europe that week.” --Der Spiegel On-line, August 28 and 29, 2012


A bomb, five hundred-fifty pounds
of rusted steel, corroded wires, decayed explosives,
found beneath Munich’s center
where it lay hidden since World War Two,
buried in the rubble left by other bombs,
covered as the city rebuilt and tried to forget war;
uncovered by workers sixty-seven years later.

In beer halls and cafés, homes and offices,
curiosity and questions:
When was the last bomb found?
How will it be disposed?
Should we be worried?
This relic of the past,
this failed deliverer of death,
becomes part of the city’s chatter,
along with the economy,
the Greek debt crisis,
and the unseasonably hot weather.

The experts, unable to defuse the bomb,
decide to detonate,
and make plans for a controlled explosion.

At the dinner table, a family talks
about other bombs, routinely disposed—
one defused just the week before in Nuremburg.
They pass the meat and then the bread
and talk about the planned explosion.
The children ask if they will see the blast,
but they are in the evacuation zone
and must leave in the morning—
father suggests a day in the Alps.

A mother leaves her downtown office
and makes her way home, her usual route closed.
It was her country that dropped the bomb.
This is all so strange and foreign—
just part of the European experience, she tells herself.
She assures her children there is no need to worry,
old bombs are found all the time.
Her young daughter listens, but has heard that bombs kill.
She tugs on her mother, and asks if they will be okay.

An old woman remembers bombs falling,
and all the friends and relatives lost to those that did not fail.
She knows bombs kill.
She draws the curtains across the windows,
goes to the basement and huddles in a corner,
where she thinks about her mother
and how they would hold each other tight
whenever the bombs fell,
and pray they would be alive the next day.

August 28, 2012:
A Sufi cleric killed in Dagestan;
four dead in a truck in Kandahar;
one dead, seven wounded in Fallujah;
twenty-seven killed in Damascus;
bank windows shattered in Athens;
a memorial service for Israelis killed in Sofia.
In Aleppo, men, women, and children huddle in fear
as their government continues to bomb the city,
sometimes striking as they stand in line for bread.
In Munich, experts covered the bomb with sand and straw.
The controlled explosion shattered windows,
sparked a few fires, which were quickly doused.
The next day, the city returns to its routine.
In the beer halls and cafés, homes and offices,
talk turns to the economy,
the end of August holidays,
and the much-needed rain
that turns the bomb’s crater
into just another muddy hole.


Michael Ratcliffe lives and writes in the suburbs of Baltimore and Washington area.  His poems have appeared in Symmetry Pebbles, Loch Raven Review, Do Not Look at the Sun, Poetry Quarterly, The Copperfield Review, The Little Patuxent Review, and You Are Here: the Journal of Creative Geography.

THE YEAR IN REVIEW IN PICTURES: AN ABRIDGED SECTION

by Alan Catlin

2012 Collage by Laura Serra

“Every war is ironic because every war is worse
than expected.” Paul Fussell 1924-2012


American sailors with captured Somali pirates
Thousands of people return home after ten years of war, Darfur
Frozen child, refugee camp, Afghanistan
Man on fire running, New Delhi
Nik Wallenda highwire walking over Niagara Falls Gorge
Kim Jong reviewing the troops, May Day, North Korea
Human skull and bones mass grave, Mazar I Sharif, Afghanistan
Pussy Riot in Moscow Courtroom cage
Wendy Maritza Rodriquez after seeing the corpse of a relative
Forty six new graves cut in a field, Krymsk, Russia
Statue of Blessed Virgin Mary after the fire, Breezy Point, Queens
Aerial View of Manhattan showing blackout of the city after Sandy
Israeli family braced for incoming rockets near Ashdod
Palestine residents clearing debris, Gaza City, the next day
Night in Syria after airstrike in Aleppo
26 killed, 20 children, 6 adults, Newtown, Connecticut elementary
            school massacre (not shown)


Alan Catlin has published numerous chapbooks and full-length books of poetry and prose, the latest of which, from Pygmy Forest Press, is Alien Nation.

DECEMBER ONCE AGAIN

by Diana Woodcock

"Jazz Beat" painting by Debra Hurd

What can I write to shed light
on this dark December night?
A Connecticut town grieves for
twenty-six dead—victims of the latest
school shooting.  Tibetans are setting
themselves on fire for freedom,
ninety-five since February, 2009.
Listening to musicians walking the bass,
feathering the line, I let the blues take me,
wrap me in the Great Mystery.

All are one, meant to sing and sway
together, to love.  The blues is all about
love, longing, loss, listening,
improvising, sharing our stories and
struggles, recognizing each other
as sister and brother.

Look into the faces around you
moved by music—see how they
seem familiar?  What better way
to pray for justice, an end to violence,
than to sway to the swing of jazz?

A Pakistani girl shot in the head
because the Taliban cannot understand
her hunger and yearning for higher
learning; they do not recognize
she is their sister.  Let the blues take me.
shape my prayer for peace, lead me
to transcend nihilism, alienation.

Listening to the blues, to the sounds of
migrant workers in this oil-rich desert town.
Thinking about blood diamonds,
underground railroads, women and girls
sold into the sex trade.

This is Advent season, time
for preparing for the light.
Long dark December nights.
Listen to the blues.  Gaza.  Aleppo.
Keep listening.  The call to prayer
mid-day, the mosque.  Revisionist
Zionist leaders.  Jihad.  Refugees.
Cambodian children amputees
still playing among landmines.

Dear jazz drummer, please
keep feathering the line.


Diana Woodcock’s first full-length collection, Swaying on the Elephant’s Shoulders—nominated for a Kate Tufts Discovery Award—won the 2010 Vernice Quebodeaux International Poetry Prize for Women and was published by Little Red Tree Publishing in 2011.  Her chapbooks are In the Shade of the Sidra Tree (Finishing Line Press), Mandala (Foothills Publishing), and Travels of a Gwai Lo—the title poem of which was nominated for a Pushcart Prize.  She has been teaching at Virginia Commonwealth University in Qatar since 2004.  Prior to that, she lived and worked in Tibet, Macau and Thailand.