ON FLAG DAY I THINK BACK TO MY YOUNG STUDENTS SPEAKING

by Jane Herschlag

Photo: Jane Herschlag

                  
               Two planes, each crashed into one tower.
               People got hit by flying pieces of glass and concrete.
               All people care about the dead people and their families.
               We need to make flags.  The blue part stands for liberty.
               They draped a big one on the collapsed building.
               In France they were praying and many countries sang,
               God Bless America.

Despite the terrorists’ actions they see love in the world.
They see the pure, mythical America
as I saw it in childhood, the country that
saved my family from Hitler when others refused.

Our big red-white-and-blue blowing in the breeze—
a dwarfed pride still swells in me despite our lost democracy,
our taint of WMD’s, of Corporations Are People,
of Monsanto’s GMOs, for the first time in the history of the world,
changing the DNA of humans, animals, vegetation,
contaminating organic farms.

As wealth rules, America declines,
ethics fall to the toxic curb, along with the poor.
Betsy Ross what do you think of us now?
Each of your stitches were sewn with hope
and wishes for America’s wisdom.

I can’t even find my thread; it’s hidden
under years of fallen bodies,
corrupt bankers’ viscous lies.
Big Pharma and giant chemical companies
have smeared our red and blue into
our white stripes of virtue.  Our field of blue is dotted,
not by stars, but by lobbyists demands.

I want our flag to mean what it used to mean,
when city colleges were free, after
the Civil Rights and Women’s Movements.
I want my flag to wave for immigrants,
lesbians and gays.  I want again
to be proud of being American.


Jane Herschlag, a former apparel designer, textile designer, teacher, and model home decorator,  has a degree in Apparel Design, a B.A. in Creative Writing, and Women’s Studies from Hunter College.  Her Masters in Creative Writing is from CCNY.  Jane has won numerous writing awards and placed 1st with her  photography/poetry at Richter Assoc. for the Arts in Danbury.  She is an avid poet, photographer, and loves to Stage Homes for selling, refinancing, and simply enjoying.  She has shown at the Danbury Fair Mall, Midtown Café in Danbury, at the historic building—30 Bridge Street in New Milford, at American Pie Restaurant in Sherman.  She combines her passion for the visual and the written by writing ekphrastic poetry, poems inspired by the visual.  She curated readings at the West Side YMCA in NYC for seven years and has run a peer workshop since 1997.  Her Docu-Poetry collection Bully In The Spotlight is published by Pudding House Publications.

FOR WALT AND ALLEN

by Rick Gray

                                                                 

My name is announced before takeoff.
It’s JFK again, but this is a new terminal.
I haul my carry-on past rich kids pouting
In First-Class, already juiced,
 and step back onto the homeland.

Outside waits a man in a blue uniform and a silver badge.
“Are you a writer?” he asks.  There are tribal scars
On his fat cheeks.  I don’t ask.
“Follow me,” he tells me, and we walk together back
Down the tube to America. Our footsteps echo out of rhythm.

At the American Airlines check-out desk ten men are hovering over
my lost notebook of poems. I relapsed in the wine bar and my God punishes.
A man no older than thirty introduces himself as Tim from the Terrorism Task Force.
I told him I was not impressed, and that I believe in respect for elders.
I’m very traditional that way, Tim. Maybe it was my years in Africa when I lived in a hut.
Tim’s training did not include humor and, confused, he steps away.                                                          

The Boss moves in, a man with the pink alcoholic shade my ancestors taught me.
His face looks frozen in 1974. Very pre 9/11, with a suit that looks
lifted from the costume room of The French Connection.
“You’re a poet?” he starts. “You said it,” I swing back at him, “not me.”
“ A woman found your notebook and was very alarmed,” he frowns.
I try to break his Popeye scowl with a grin. He goes grim.

“Your poem called Bomb Threat is of concern,” he continues,
Lifting a torn page out of my notebook. Everything is written in green.
“And your comments about Homeland Security we all find curious.”
“That shit is weird,” the black guy with the scars exclaims. Everyone nods before
French Connection waves them still.

“I’m missing my plane,” I say, and a cop tells me to forget about flight.
“What was your destination?” another one asks.
I am going to Afghanistan to teach Shakespeare, I calmly explain.
I finally get my first laugh. But when I tell them to go fuck themselves, fascist pigs,
They’re back to business with my notebooks.     

But not I.
No, I now have a growing audience of passengers for the Paris flight
And I was raised not to waste. Children are starving in Africa.
THIS IS NOT AMERICA! I shout to them.                                                                                  
I AM BEING HELD FOR POETRY! I cry, and don’t know why I raise my fist.
This must be the oral thrill of the spoken word I’ve read about    
And I can feel Whitman and Ginsberg grinning below the New York dirt of JFK.
“Front page!” I bluff to the boss, flushed with my little fame, “New York Times!”
and pull out another notebook and start writing, staring into his badge.

Walkie-talkies come out and soon an alternative ticket is being printed.
They give an Irish cop the job of returning my notebooks; no one else will touch them.
“Hold onto these,” he gives me a wink I might, in a better mood, call Whitmanesque.
“It’s a shitty job,“ he apologizes as I take back my poems and head to another gate.
“Any good publications?” I hear him call out to me.
“Nope,” I shout back, “my job sucks too.”

Oh America, I don’t want to leave you!
I want to stay and write poems that make men huddle in airports!
I want to be pulled off your American Airlines and asked by scarred men if I’m a writer!
I want to make speeches about liberty to passengers to Paris!
I want to alarm everyone in the country!
But instead I’m off to another stupid war
To pay for my daughter’s ballet.
No one in America responds to my resume,
only these lost notebooks that don’t pay.
So before I step away from my homeland
I get one last jab at the Irish cop trailing me.
“I’m coming back soon!” I shout back at him from the tube.
“And we’ll be waiting!” he calls back to me, waving a little blue book.


Rick Gray served in the Peace Corps in Kenya and currently teaches at the American University of Afghanistan in Kabul. He was a finalist for the Editor's Award at Margie, and has an essay that will be appearing in the forthcoming book, Neither Here Nor There: An Anthology of Reverse Culture Shock. When not in Kabul, he lives with his wife Ghizlane and twin daughters Rania and Maria in Florida.

LETTER IN WHICH I THANK THE PRESIDENT FOR NOT INVITING ME TO READ AT HIS INAUGURAL

by J.R. Solonche

Dear Mr. President:

Thank you for not inviting me to read
at your inaugural.

Believe me, when I heard that that other poet,
that Blanco, got the nod, I was relieved.

Let me tell you, I spent days and days,
weeks in fact, occupied with nothing but America,

I steeped myself in America,
I breathed America, I ate America, I slept America,

I studied maps of America, that familiar two-handled shape,
I gazed at pictures of grain in amber waves,

I read the Declaration, I read the Constitution,
I read the Gettysburg Address, twenty times, I read Jefferson,

I read Adams, I read de Tocqueville, I read Franklin, I read Paine,
I read Huckleberry Finn, I read Moby Dick,

I read The Scarlet Letter, I read An American Tragedy,
I read Walt, I read Ralph Waldo, I read Emily,

I read Wallace, I read Robert, I read William Carlos,
I looked at every Norman Rockwell calendar I could find,

I looked at every Mathew Brady photograph I could find,
I listened to Gershwin, I listened to Ellington, I listened to Joplin,

I listened to Presley, I listened to Ives,
I listened to The New World Symphony, three times a day,

I rented every John Wayne movie I could find,
I ate potatoes three times a day, I ate corn three times a day,

I ate apple pie three times a day,
I drank bourbon, I drank hard cider.

And after all this saturation in America,
when I sat down to write an inaugural poem,

Mr. President, I drew a zero, nothing came,
the only word I could write was the one word America,

so what did I do? Let me tell you, I just started Yankee-
doodling around to see if anything would inspire me,

but all I got was acirema and I am acer and race aim and am Erica
and I care, ma, or Ma, I care.

So thank you Mr. President, for not inviting me
to read at your inaugural. Let Blanco do it. I’m a blank.

Sincerely,
J.R. Solonche


J.R. Solonche is co-author (with wife Joan Siegel) of Peach Girl: Poems for a Chinese Daughter (Grayson Books). His poems have appeared in many magazines, journals, and anthologies since the 1970s. He teaches at SUNY Orange in Middletown, New York.

ON THE EDGE

by Laura Rodley

Abenaki Indian Pictures. Abenaki Children. Image source: Indians Pictures.

In the back edge of the forest

are stones piled up one on top the other

in a horseshoe shape facing

the quartz vein outcropping

perhaps built by Abenaki Indians

before colonial men sent their servants

to take stones from Indian burial mounds

to build their stone fences,

unknowingly disturbing the peace,

and here my husband and another

man named Jim lift beds of moss

off the stone structure, reveal it

to be as tall as a horse, facing the sky,

the midnight sky when the Big Dipper

hangs low and this is what my eyes

feasted on before the election,

how it is time for the Indian spirits

to walk our land, to look

to the Big Dipper and the old spirits

caught in her cup

for our answers, for forgiveness.

Laura Rodley’s New Verse News poem “Resurrection” has won a Pushcart Prize and appears in The Pushcart Prlze XXXVII: Best of the Small Presses (2013 edition). She was nominated twice before for the Prize as well as for Best of the Net. Her chapbook Rappelling Blue Light, a Mass Book Award nominee,  won honorable mention for the New England Poetry Society Jean Pedrick Award. Her second chapbook Your Left Front Wheel is Coming Loose was also nominated for a Mass Book Award and a L.L.Winship/Penn New England Award. Both were published by Finishing Line Press.  Co-curator of the Collected Poets Series, she teaches creative writing and works as contributing writer and photographer for the Daily Hampshire Gazette.  She edited As You Write It, A Franklin County Anthology, Volume I and Volume II.