Tampilkan postingan dengan label David Chorlton. Tampilkan semua postingan
Tampilkan postingan dengan label David Chorlton. Tampilkan semua postingan

Sabtu, 22 Juni 2013

WITHOUT A NET

by David Chorlton


(Reuters) - When daredevil Nik Wallenda caught sight of the taut cable stretched over the yawning chasm of the Grand Canyon for the first time on Friday, his reaction ahead of his death-defying high-wire crossing on Sunday was pure glee. 



                                    . . . and gravity
            Gets every one of us eventually; what matters
            Is the beauty we can do, our balance
            Before we meet the ground.

                        ("Once, We Were the Wallendas" by Don Haynie)



You can walk on air
or a two-inch wire spanned across the heat
to show the land beneath you
perfect balance.
                        From one red rim
to the other in the company of ravens
with concentration for a safety net
and a view that cuts into the earth
is a straight line that sags a little
where you tread.
                        The canyon walls
watch every step. The river below
dashes itself against rocks,
gathers itself together and asks
whether you can do that.
                                    All that holds you
is a cloven-footed pact with the forces
of chance as you lick
the taste of falling from your lips
and become the centre
of attention.
                 The crossing takes years
while the seasons rotate around you
through forest fire to ice
with everyone wanting to know
if the other side
                        will still be there
when you reach it.


David Chorlton has lived in Phoenix since 1978, and still sees his surroundings with an outsider's eye. This helps his writing projects, which include a new poetry collection,"The Devil's Sonata," from FutureCycle Press.

Minggu, 28 April 2013

HE SAID I'LL LOVE YOU . . .

by David Chorlton






It takes a slide guitar
accompanied by strings and a backup trio
with sweet, high voices
to fit an opera-sized grief
into a country song. This is where
art portrays feelings
unbearable in life, whether
concerning royalty, gods, or just a man
who lost a woman
and drinks her memory
until the bars close every night.
A singer once, recording
the second take for what became
his greatest hit, stared through
the studio window
at his former wife and never took his eyes
off her until the final
chorus faded. The moment
could have been translated
into Italian, reconstructed on a stage
at La Scala or the Met
with a soprano and a tenor
bringing the audience to tears
the way we might
on learning that George today
at last got over Tammy.

David Chorlton has lived in Phoenix since 1978, and still sees his surroundings with an outsider's eye. This helps his writing projects, which include a new poetry collection,"The Devil's Sonata," from FutureCycle Press.

Jumat, 12 April 2013

NOTES ON AN APRIL DAY

by David Chorlton



We returned a pigeon to the sky
where he belongs this morning.
Otherwise, it’s a quiet day

if we ignore the news
of the nuclear mouthed supreme
leader watching oriental snow
fall through his binoculars.
There’s fresh snow too

in the country we left behind
where spring comes in disguise.
Is it caused by climate change

or was the past like this
and we simply forgot?
It’s ninety degrees today
in Arizona, where the legislature
wants to take away civil unions
and give schoolteachers guns.

The mailman delivered only
the usual requests for money
while the same message keeps landing
in the electronic inbox
from a friend whose mind

we hear is becoming like snow
and melting away. What use
is information to her, from radio
or the press? Why bother
telling her the world she tried to improve
is refusing assistance? It’s better to reply

with a few words to say
how gently the afternoon has passed
and hold on to whatever peace
is ours to share.


David Chorlton has lived in Phoenix since 1978, and still sees his surroundings with an outsider's eye. This helps his writing projects, which include a new poetry collection, "The Devil's Sonata," from FutureCycle Press.

Jumat, 01 Maret 2013

SONNET 71

by David Chorlton


Stéphane Hessel, writer and inspiration behind Occupy movement, dies at 95.
Hessel, resistance fighter, diplomat, writer of Time for Outrage! and co-author of Universal Declaration of Human Rights, dies. --TheGuardian headline, February 27, 2013

Image source: citizenside

 
The interviewer opens with a reference to the title
of a book in French, in which the word
for dignity is kept safe for distribution
to a world more interested in the cost of what can be bought
than in the value of anything.
The interviewee makes his claim for nonviolence,
citing Vaclav Havel, Gandhi, Mikhail Gorbachev,
and his view that you can’t shoot hedge fund managers,
only convince them of a fairer way. His vocabulary
includes the words conscience and justice,
learned during his time with the Resistance.
What kind of a world shall we leave behind?
the interviewer, a man fifty-seven years old, but still
just a boy to the older man, asks, and we’re tuned
to a vision of trust returning, of living with nature
rather than in conflict, of refusing the ideology
that markets will solve any problem, and (here
the audience applauds) of welcoming immigrants.
The conversation turns back to Buchenwald.
We were Europeans there. The interviewee
escaped by taking a dead man’s name and being helped
by a German. We must become good Europeans again.
He was one of three survivors. We have to think about the others.
He says improving the world is a pleasure,
not a moral duty. The next question is to find out
what makes him lose his temper.
When I’m accused of being anti-Semitic for supporting Palestinians
(applause). He says we must be as patient
as we are passionate, that we don’t need another
revolution like the ones that let us down,
but radical reform. Nineteen forty-four, arrested
by the Gestapo, believed to be important as a spy,
he thought his life was over, his body
already giving up, but the spirit had a mission
and he recited Shakespeare, noting the line
to keep inside his coat:
No longer mourn for me when I am dead
 
 
David Chorlton has lived in Phoenix since 1978, and still sees his surroundings with an outsider's eye. This helps his writing projects, which include a new poetry collection, "The Devil's Sonata," from FutureCycle Press.

Rabu, 09 Januari 2013

CLIMATE CHANGE

by David Chorlton
 

Image source: The Climate Reality Project
 
After the recorded message
came a living voice
asking for help in stopping the president
weeks before his inauguration.
Which of these issues do you think
is most important?
I said Climate change,
she spoke right over me, beginning with
Voter fraud, and I repeated myself.
Then she suggested the assault
on second amendment rights.
Climate change.
She pretended not to hear, and went on
to repealing Obamacare.
I told her nothing else would matter
when the planet gasps for breath.
She named the candidate
who would lead the way
and asked if I’d help.
Why did you call this number?
She told me I must have supported the cause
in the past. I told her
What matters is Climate change.
She assured me it isn’t too early
to begin sending money.
Let me get this right; we’re heading
into the future fully armed
with God’s love to guide us,
the stars and stripes flying, marching to Souza
and glory bound. She paused a few seconds
before saying
Yes, and I could tell right then
that in politics, the climate
will never change.
 
 
David Chorlton has lived in Phoenix since 1978, and still sees his surroundings with an outsider's eye. This helps his writing projects, which include a new poetry collection, "The Devil's Sonata," from FutureCycle Press.

Rabu, 14 November 2012

THE FACTORY

by David Chorlton

"Richmond Hill" by LS Lowry

I
When they laid the first brick they said
This is progress,
and then they laid another, promising to carry on
until there was a wall
where previously the wind had blown without obstruction
across the grass. The wall
was high and strong, with just one row of narrow
windows for light to pass through.
Look at what is possible, they said
as they drew up plans for the second wall.
These will stand through any storms, they claimed,
and storms came to test them
and the walls remained.
Foxes came to sniff. They didn’t understand
what was happening. Swallows
flew above and in between the walls
until the third and fourth sides of a mighty rectangle
were complete. Sometimes a swallow
would go in through a window and fly playfully
out of the open space held aloft
by the walls. This is the future, they said,
this is the place
where darkness will turn to money.
So they covered the space with a roof
which blocked out light
except for the long, dusty shafts
that streamed in when the sun
was on the window side, and the valley appeared
to sit deeper in the earth
because of the weight
pushing down. Only a circling hawk
remained of the sky. They raised a tall chimney
and fed it with coal. This is the power, they said,
that nature forgot, and as they bowed their heads
in prayer a viper
slithered by and spat a hiss.

II
Many came to see it. Many more
entered by the door and stayed inside until each day
was over. Those who praised it
never went inside, but said to those who did,
You’re fortunate, be grateful. So the line formed
every morning, and each man
bowed his head as he moved to his assigned position
while outside, the deer
on their way to the river ran by
until water no longer ran there
because it had been redirected
and after it had been used
it became a kind of poison
so the decision was made
to have it soak into the ground and disappear,
but it was still there,
like fire just beneath the surface of the earth.

III
We need another one just like it,
they said, and they marked the ground
for the new one to stand on. We must cut down
these trees, they said, and lay a new foundation
that will seal the earth.
It looked just like the one before it
and those who entered looked
just like the ones who entered the first one.
Two were not enough.
However many they built
they kept on finding people to feed into them
and the many chimneys
poured waste into the sky
as if to make an offering to whichever gods
survived in the smoke.

IV
So it continued, each one followed by the next
until no trace remained
of the grass in the valley and the trees on the hills,
and nobody who came to see
what had replaced them
could ever imagine the way it used to be
when the air was clear enough
for the sparrows to be seen
with their feathers turning gold
as they flocked in early sun.
Don’t think about the past,
they said, your memories will not feed you.
And they kept on building,
beating down the earth
to make it level for another floor,
creating enclosures where once had been space,
and when they were sure
nobody could remember what they had replaced
a man old enough to have been dead several times
stood up to speak about what had been lost
but he could not be heard
above the growling of machines.

V
More, they said, we need more.
And it did not matter how many,
they were too few. Some sparrows appeared,
and a lost fox, but no matter
how few were the animals
they said, They are too many.


David Chorlton was born in Austria, grew up in England, and spent several years in Vienna before moving to Phoenix in1978. He pursued his visual art and had several shows as well as writing and publishing his poetry in magazines and collections, the latest of which is The Devil’s Sonata from FutureCycle Press. Although he became ever more interested in the desert and its wildlife, the shadow side of Vienna emerges in his fiction and The Taste of Fog, which was published by Rain Mountain Press.