REQUIEM

by Ed Bennett

FALFURRIAS, Texas (Reuters)  May 15, 2013 - Mounds of dirt decorated with fake flowers sit at the northern edge of the cemetery in this town about 80 miles north of the U.S.-Mexico border. Small metal placards mark the graves of the unknown, generally by gender, while others simply say "bones" or "skull case." Photo credit: REUTERS/Eric Thayer.

Quietly,
in the twilight breeze
of an unforgiving desert
we few are arranged
in a mourning group,
a broken minion
for the passing
of the nameless ones:
a young mother
or older sister,
a boy about eight

found between the cholla
and voiceless stones
that hid them from the road
where La Migra rules
and the crosshairs of
the militant ones
guards a sanctified border
in the darkness.

We left water
every mile or so
on the hidden route
where they sojourned,
the brown skinned tribes
of new Israelites
short one Moses and
a caring God’s sight

where the guardians
cut the water jugs
and these two died,
tongues swollen,
a mile south
of the springs.

Coyotes lament
to the waning moon,
a song for souls lost
in the eternity
of the killing night,
the calculus of death
for a too young woman,
a boy yet to live.

Adios,
nameless friends,
may your days be cool
beside Eden’s brook,
the fruit of God’s heavens
be your eternal bounty.

And may our days be riven
by our lost contrition,
may the appeals of patriots
weaken in the echo
of this desert marked
in the blood of innocents.


Ed Bennett is a poet and reviewer living in Las Vegas, NV. His works have appeared in The Externalist, Touch: The Journal of Healing, The Lavender Review, Quill and Parchment and Lilipo. He is a staff editor for Quill and Parchment Magazine, the recipient of a Pushcart Nomination and the author of “A Transit of Venus”.

PICKING UP A HITCHHIKER IN MAY

by Rosemerry Wahtola Trommer

"The burial of the dead is Humanity 101."
—Thomas Lynch, undertaker and poet, NPR, May 6, 2013

It’s messy when they die
in winter, he says. The dirt
is too cold to work with then.
I tell him I will consider this
when I die. Just give me two-weeks’
notice, he says, quoting a joke,
and it occurs to me humor
must be an unwritten
prerequisite for a grave digger.
I ask him what he thinks
about the recent uproar in Boston,
no one wanting the bomber
buried in their own backyard.
Well, he says, I’ve always thought
we should have a special section
for the politicians. We could put
him here with them—in a place where
we let the dogs run.
In the space before I laugh,
I remember the story
the undertaker told about how
in the middle ages they considered
suicide the ultimate crime.
But since you can’t punish a dead man,
they took out their ire on his corpse
and buried it at a crossroads
to be trod on forever. He said,
“If we do not take care of dead humans,
we become less human ourselves.”
The man next to me says,
“You know, I give every person I bury
the gravedigger’s promise.”
We are almost to the cemetery gate.
“I say, I’m the last person who’s ever gonna
let you down, and the last one
who’ll ever throw dirt on you.”
He laughs a laugh so real
I can smell the earth thawing in it.


Rosemerry Wahtola Trommer’s poetry has appeared in O Magazine, in back alleys, on A Prairie Home Companion and in her children’s lunch boxes. She is a parent educator for Parents as Teachers. Favorite one-word mantra: Adjust.

MARS

by Howie Good

The god of carnage has grown

a balding man’s stringy ponytail.

Red, he says, means danger.

He shrugs his cruelly thin shoulders.

A tractor stands abandoned

in a field of what looks from here

like black puddles of blood.

The future will burn a full 40 days.

We will walk beside our coffins.

Starvelings will stare out

from behind barbed wire.

Mothers will shriek. There will be

nice grass in the cemetery.

Howie Good, a journalism professor at SUNY New Paltz, is the author of five poetry collections, most recently Cryptic Endearments from Knives Forks & Spoons Press. He has a number of chapbooks forthcoming, including Elephant Gun from Dog on a Chain Press. His poetry has been nominated multiple times for the Pushcart Prize and Best of the Net anthology. goodh51(at)gmail.com.

YPRES

by Howie Good                            
                                      
                                            for Sarah M. & Tom C.

Tyne Cot cemetery on the Ypres Salient, Belgium.

Despite
a cold
misty rain

poplars
stand
at attention

as

we wander
jet-lagged

down rows
& rows
of gravestones

40,000
stubby
white teeth

bared


Howie Good, a journalism professor at SUNY New Paltz, is the author of the full-length poetry collections Lovesick (Press Americana, 2009), Heart With a Dirty Windshield (BeWrite Books, 2010), and Everything Reminds Me of Me (Desperanto, 2011), as well as numerous print and digital poetry chapbooks, including most recently Love Dagger from Right Hand Pointing, To Shadowy Blue from Gold Wake Press and Love in a Time of Paranoia from Diamond Point Press.