Tampilkan postingan dengan label Detroit. Tampilkan semua postingan
Tampilkan postingan dengan label Detroit. Tampilkan semua postingan

Senin, 24 Juni 2013

A MURDER MOST FOUL

by Christina Pacosz




Jimmy they're digging up the earth again
to find you,  a Valentine's Day baby
from the Hoosier state.
An old farm of disturbed earth. Not even a barn remains.
I am crying at the news.  Startled by my tears.  So much went down with you.
July 30, 1975.  Nixon, for chrissakes, pardoned you.  You did your time.
Your  children mourn you still.  Your daughter, the retired Missouri judge,
says she is grateful to the FBI for trying to find you.
A bone fragment, a bit of hair. Something.  You were a man others turned to.
You understood the word solidarity as something in your bones. Your blood. They could kill you
but not that.   The Oakland County sheriff calls your disappearance an open wound for Detroit.
You made the Teamsters the biggest union ever and used your clout until they took you out.
You.  Hoffa.  Your son still runs the union.
This isn't pop history but a midden heap, a litany of woes you tried to fix
so what if you wanted to get yours?


Born and raised in Detroit by working-class Polish-American parents, Christina Pacosz’  poetry/writing has appeared in literary magazines and online journals for almost  half a century. A poet-in-the-schools and a North Carolina Visiting Artist, she has published several books of poetry, including Greatest Hits, 1975-2001, Pudding House, 2002, a by-invitation-only series.  Her chapbook, Notes from the Red Zone, originally published by Seal Press in 1983, was selected as the inaugural winner of the ReBound Series by Seven Kitchens Press in 2009.

Selasa, 04 Juni 2013

THE ART OF SEEING VALUE

by Lylanne Musselman


Image source: HuffPost Detroit


I went to see Vincent
van Gogh’s painting
on loan from Paris,
Bedroom in Arles,
in Detroit, a place
so bankrupt, city
officials are looking in-
to assets the Detroit Institute
of Arts owns. Yes,
Michigan politicians
and many citizens
could prostitute
irreplaceable art. It exhibits
how some would
sell their souls, aid
the American idea
money saves
at all costs. In Detroit,
citizens comment:
Sell the DIA and open
a money making business
like a casino; Art is
just a perception, it might
evoke emotion for people
or nothing; If Detroit goes
bankrupt the museum collection
could be seized…
I stood less
than a foot away
from the painting
van Gogh brushed
life into. The awe of it all,
knowing he painted this
bedroom scene to show
his brother, Theo,
how tranquil Arles was,
to see his perspective,
his ever-present blues.


Lylanne Musselman lives in Toledo, Ohio. Her poems have appeared in Brevity Poetry Review, Literary Brushstrokes, The Rusty Nail, Pank, Tipton Poetry Journal, New Verse News, among others, and many literary anthologies. Lylanne has authored three chapbooks: Prickly Beer & Purple Panties (Bacon Tree Press, 2007), A Charm Bracelet for Cruising (Winged City Press, 2009) and Winged Graffiti (Finishing Line Press, 2011), and is a co-author of the recently published book, Company of Women: New and Selected Poems (Chatter House Press, 2013).