CARBON ADDICTION

Source of original image: PB Learning

Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War.  He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective).  He lives in northern California.

BENEFIT OF THE DOUBT

by J.D. Smith



Someone may have wondered
How much does a mountain weigh?

There was no great balance to set it on,
no human scale, but the question
could be divided, layers taken and tallied
with rounding of inevitable error.

Perhaps the only way to pay for this answer
was to sell off the resulting heaps
of shorn stone and dust,

which some believed
would lighten, if not the earth,
our passage over it.


J.D. Smith’s third collection, Labor Day at Venice Beach, will be published later this year, as will his first humor collection, Notes of a Tourist on Planet Earth. His poems have appeared in journals and sites including 99 Poems for the 99 Percent, Nimrod, Tar River Poetry, Texas Review, and Dark Mountain 3.

FRACK YOU

by B.Z. Niditch



artistsagainstfracking.com

Frack you,
for all your flaying
of the earth
sinking us
in the quicksand
of limestone
by the dirt husks
of pipelines
with so many hands
pressuring big oil
and powerful forces
to harass
the echoes of nature
near orchards
on upturned grounds
covering floral clean air
near the mountains
of fauna and gardens
the harmony of oceans
to spiral out of hand
with upheavels
taking ready made shovels
rolling into our environment
we, lovers of the earth
are crying out
for human helpers
to alert the planet.


B.Z. Niditch is a poet, playwright, fiction writer and teacher. His work is widely published in journals and magazines throughout the world, including Columbia: A Magazine of Poetry and Art, The Literary Review, Denver Quarterly, Hawaii Review, Le Guepard (France), Kadmos (France), Prism International, Jejune (Czech Republic), Leopold Bloom (Budapest), Antioch Review, and Prairie Schooner.  He lives in Brookline, Massachusetts.

APOCALYPSE

by Joan Mazza

Image source: End of the world

This time it’s true, when all prophetic books
agree the date is Winter Solstice, 2012.
The Mayans knew; it’s in the Bible. Just look
at world weather. You can see for yourselves
the increase in earthquakes, floods, volcanoes.
Watch out for Planet X, the government knows
but won’t disclose.  Look in front of your nose:
magnetic poles shift, buildings fall like dominoes.

Earth’s rotation will switch direction, sun
rising west instead of the east. No gun
will save you. Tsunamis inundating
coastal cities. No time for one last fling.
Let all expect a magical ascent.
The End is now an annual event.


Joan Mazza has worked as a psychotherapist, writing coach, certified sex therapist, and medical microbiologist, has appeared on radio and TV as a dream specialist. She is the author of six books, including Dreaming Your Real Self (Perigee/Putnam). Her work has appeared in Kestrel, Stone’s Throw, Rattle, Writer's Digest, Playgirl, and Writer's Journal. She now writes poetry and does fabric art in rural central Virginia.

THE FACTORY

by David Chorlton

"Richmond Hill" by LS Lowry

I
When they laid the first brick they said
This is progress,
and then they laid another, promising to carry on
until there was a wall
where previously the wind had blown without obstruction
across the grass. The wall
was high and strong, with just one row of narrow
windows for light to pass through.
Look at what is possible, they said
as they drew up plans for the second wall.
These will stand through any storms, they claimed,
and storms came to test them
and the walls remained.
Foxes came to sniff. They didn’t understand
what was happening. Swallows
flew above and in between the walls
until the third and fourth sides of a mighty rectangle
were complete. Sometimes a swallow
would go in through a window and fly playfully
out of the open space held aloft
by the walls. This is the future, they said,
this is the place
where darkness will turn to money.
So they covered the space with a roof
which blocked out light
except for the long, dusty shafts
that streamed in when the sun
was on the window side, and the valley appeared
to sit deeper in the earth
because of the weight
pushing down. Only a circling hawk
remained of the sky. They raised a tall chimney
and fed it with coal. This is the power, they said,
that nature forgot, and as they bowed their heads
in prayer a viper
slithered by and spat a hiss.

II
Many came to see it. Many more
entered by the door and stayed inside until each day
was over. Those who praised it
never went inside, but said to those who did,
You’re fortunate, be grateful. So the line formed
every morning, and each man
bowed his head as he moved to his assigned position
while outside, the deer
on their way to the river ran by
until water no longer ran there
because it had been redirected
and after it had been used
it became a kind of poison
so the decision was made
to have it soak into the ground and disappear,
but it was still there,
like fire just beneath the surface of the earth.

III
We need another one just like it,
they said, and they marked the ground
for the new one to stand on. We must cut down
these trees, they said, and lay a new foundation
that will seal the earth.
It looked just like the one before it
and those who entered looked
just like the ones who entered the first one.
Two were not enough.
However many they built
they kept on finding people to feed into them
and the many chimneys
poured waste into the sky
as if to make an offering to whichever gods
survived in the smoke.

IV
So it continued, each one followed by the next
until no trace remained
of the grass in the valley and the trees on the hills,
and nobody who came to see
what had replaced them
could ever imagine the way it used to be
when the air was clear enough
for the sparrows to be seen
with their feathers turning gold
as they flocked in early sun.
Don’t think about the past,
they said, your memories will not feed you.
And they kept on building,
beating down the earth
to make it level for another floor,
creating enclosures where once had been space,
and when they were sure
nobody could remember what they had replaced
a man old enough to have been dead several times
stood up to speak about what had been lost
but he could not be heard
above the growling of machines.

V
More, they said, we need more.
And it did not matter how many,
they were too few. Some sparrows appeared,
and a lost fox, but no matter
how few were the animals
they said, They are too many.


David Chorlton was born in Austria, grew up in England, and spent several years in Vienna before moving to Phoenix in1978. He pursued his visual art and had several shows as well as writing and publishing his poetry in magazines and collections, the latest of which is The Devil’s Sonata from FutureCycle Press. Although he became ever more interested in the desert and its wildlife, the shadow side of Vienna emerges in his fiction and The Taste of Fog, which was published by Rain Mountain Press.