AFTER THE MASSACRE

by Howie Good

Photograph by Phil Armitage

1
January has been mostly absent. No need to look online for what it means. I already know what it means. It means there’s a girl at the door collecting for cancer. Alcohol intensifies the effect. Theology, too. Whoever doesn’t love incongruity doesn’t love me. The clock raises its penciled-in eyebrows. I don’t talk in my sleep; I scream.

2
I wake up to snow drifting down, dry and brittle, like the ashes of murdered six-year-olds. Hey! No problem! the weather girl assures everyone. I have become someone I never wanted to be, the way songs have become their own jingles. Hear it? The cold, dark howls of women giving birth to monsters in attics.

Howie Good, a journalism professor at SUNY New Paltz, is the author of five poetry collections, most recently Cryptic Endearments from Knives Forks & Spoons Press. He has a number of chapbooks forthcoming, including Elephant Gun from Dog on a Chain Press. His poetry has been nominated multiple times for the Pushcart Prize and Best of the Net anthology. goodh51(at)gmail.com.

FORENSICS

by Tony Brown

Milky Way Clock by Henrik Amberla. Image source: I New Idea Homepage

We have exhausted all leads

as the clock runs out.

People died. Who and what

we should blame is not clear.

If there’s a connecting thread

or line to explain what led to…this,

it remains unseen. It’s not a conspiracy thing;

shit’s just complicated.  Maybe some of it

is about malice, but mostly

it’s about acceptance

of unintended consequences

and ignorance of how to stop

thinking we are so damn omniscient.

We’re not, of course; that’s obvious.

We’re blind little beggars or huge deaf kings.
No one is paying attention,

or paying for us to pay attention.

We’re broke and we’re out of time.

If we want to know who did what,

if we are ever to learn that,

we are going to have to start time again.

Build a world differently — more windows and doors,

fewer walls.  And most of all

we’re going to have to build a better clock.

Something with longer hours, days, years.

Something based on the Mayan model, perhaps,

with lots

of resets.


Tony Brown,  a three time Pushcart Prize nominee,  lives in Worcester, MA, and is one half of the poetry and music duo The Duende Project.