by Robin Sampson
There are new pedestrian crossings, traffic signals, turn arrows,
granite curbs, sidewalks. The weird little island in the road is gone.
The corner restaurant has another name, a new sign, as does
the coffee house next door, both closed overnight this past winter.
On one corner, a new spruce has been put in place across the street
from the older, stressed tree, and I wonder if both will be lit later this year.
It is hard to think ahead to more holidays. The laundromat is not as busy
anymore, though the liquor store is probably busier. This little village center,
with its bridge across the Pootatuck River, is busy landscaping the new normal.
Painful memories still cloud these streets. Some say they cannot, will not return,
and so they stay away. But some of us live here. To go just about anywhere,
we must pass by the firehouse, the school driveway, often many times a day.
This year, like many years passed, we sat at long tables in the station there,
eating fundraiser lobster with neighbors, without intrusion, and we could
almost forget. This little corner of town has never felt as much like home.
I’ve watched the snow melt, the trees leaf out, the flowers bloom,
just like they have every other year. I hope the new signals do their job,
hasten the flow of traffic at this intersection, site of overwhelming attention
just a season or so ago. We still harbor a scabbed-over hostility
to those pointing their lens noses too close, or well-meaning pilgrims
who just have to see for themselves. We brand our cars with green and white
magnetic stickers, tailgate the tourists when they slow down in front of . . .
to gawk, to leave flowersheartsangels, to take their pictures.
We still politely accept the condolences of customer service representatives
on the line when doing business over the phone. The kumbaya moment
is over, and we are back to squabbling amongst ourselves, voting down
the budget, and complaining in letters to the editor about things petty and not.
Outside the laundromat, I sit scribbling in a repurposed composition book
while my wash tumbles, and watch a great blue heron glide in through the trees
over the river. My body still reacts to the sound of an approaching helicopter. Muscles
tense, heart rate quickens. Across the parking lot, the lush green of late Spring
softens the edges. When the road work is finally done, I will walk the mile
from my house to this crossroads, push the button to cross, get a cup of coffee,
and sit by the river, watch the water, as I have so many times before.
Author’s note: “We live a half mile from the school and were home that morning. Our three grown children all went to that school, and it was part of our neighborhood. As I said, this is the first time sharing any of my writing about it publicly.”
Robin E. Sampson writes poetry, fiction, essays, etc. Her poetry's been published in The New Verse News, FeatherLIt, Bent Pin Quarterly, Connecticut River Review, Bitter Oleander. She lives in Sandy Hook, CT.
Tampilkan postingan dengan label Newtown. Tampilkan semua postingan
Tampilkan postingan dengan label Newtown. Tampilkan semua postingan
Sabtu, 15 Juni 2013
Jumat, 07 Juni 2013
DOOM
by George Held
brought early dawn
to Aurora,
early recess
to Newtown,
early marathon-ending
to Boston
early tornado season
to Moore, Okla,
and lurks
on the outskirts
of your own town:
so hunker down
and pray
it passes by
before it’s
your turn.
An occasional contributor to The New Verse News, George Held occasionally blogs at www.georgeheld.blogspot.com
![]() |
| Image credit: philipus / 123RF Stock Photo |
brought early dawn
to Aurora,
early recess
to Newtown,
early marathon-ending
to Boston
early tornado season
to Moore, Okla,
and lurks
on the outskirts
of your own town:
so hunker down
and pray
it passes by
before it’s
your turn.
An occasional contributor to The New Verse News, George Held occasionally blogs at www.georgeheld.blogspot.com
Kamis, 02 Mei 2013
LITTLE THINGS AND BIG THINGS
by John Kotula

John Kotula is a writer and artist who lives in Peace Dale, Rhode Island.
A terrible, terribly damaged boy nearly bleeds to death in a boat, under a tarp, in somebody’s back yard. Yes, he has blood on his hands and worse. How have we let this happen to one of our boys? But no one will say they are broken hearted. They will only say they are strong. “You picked the wrong city this time,” they say. I just want to cry for a while and hold each other.
My granddaughter is fussing in her car seat. I corkscrew my arm back and grope around for her blinky. I help her get it to her mouth. My beautiful daughter smiles at her beautiful daughter in the rearview mirror. The baby grabs my index finger in her damp, four month old fist and goes back to sleep. Something to suck on, the purr of the motor, someone within reach who loves her, is all she needs for contentment.
Way up in the mountains of Honduras there are plans to build a dam that no one needs or wants. It will make rich Hondurans richer. They will siphon off their share. It will make rich Americans richer. They will sell unsustainable technology to the rich Honduras. Some how the Chinese are involved. Some rich Chinese will get richer, too. The thatched roof houses of the poor people who live along the river will be thirty feet under water.
There is a young man who trusts me to give him advice. His mother is suddenly in the intensive care unit at the hospital. He is ashamed that he doesn’t understand her condition and doesn’t know how to make things better for her. I take the young man to the hospital and help him talk to the social worker. I joke with his mother in my bad Spanish and make her laugh. He feels a little better. I would be proud to be this young man’s father.
Automatic weapon fire blows apart a whole school full of tiny, fragile bodies. Even with the knowledge that they will never hold their own children again, the parents go to Washington and say please don’t let this happen to some one else. But the Republicans have so blatantly sold their souls, you got to wonder why God doesn’t strike them down. Hey God, where is the fire? Where is the brimstone? Where are the frogs and boils?
I am three floors above sea level in an old, old building. Looking out through wavy glass I can see the beach curve away to the north. A poet is reading about her memories of living in Alaska. I know many people in the room. Some of them I’ve known for forty years. In that moment, The New York Times and National Public Radio are far away. I don’t think so much about the little things. The big things are more important.
My granddaughter is fussing in her car seat. I corkscrew my arm back and grope around for her blinky. I help her get it to her mouth. My beautiful daughter smiles at her beautiful daughter in the rearview mirror. The baby grabs my index finger in her damp, four month old fist and goes back to sleep. Something to suck on, the purr of the motor, someone within reach who loves her, is all she needs for contentment.
Way up in the mountains of Honduras there are plans to build a dam that no one needs or wants. It will make rich Hondurans richer. They will siphon off their share. It will make rich Americans richer. They will sell unsustainable technology to the rich Honduras. Some how the Chinese are involved. Some rich Chinese will get richer, too. The thatched roof houses of the poor people who live along the river will be thirty feet under water.
There is a young man who trusts me to give him advice. His mother is suddenly in the intensive care unit at the hospital. He is ashamed that he doesn’t understand her condition and doesn’t know how to make things better for her. I take the young man to the hospital and help him talk to the social worker. I joke with his mother in my bad Spanish and make her laugh. He feels a little better. I would be proud to be this young man’s father.
Automatic weapon fire blows apart a whole school full of tiny, fragile bodies. Even with the knowledge that they will never hold their own children again, the parents go to Washington and say please don’t let this happen to some one else. But the Republicans have so blatantly sold their souls, you got to wonder why God doesn’t strike them down. Hey God, where is the fire? Where is the brimstone? Where are the frogs and boils?
I am three floors above sea level in an old, old building. Looking out through wavy glass I can see the beach curve away to the north. A poet is reading about her memories of living in Alaska. I know many people in the room. Some of them I’ve known for forty years. In that moment, The New York Times and National Public Radio are far away. I don’t think so much about the little things. The big things are more important.
John Kotula is a writer and artist who lives in Peace Dale, Rhode Island.
Kamis, 18 April 2013
GUN RUNNERS
by Frederick Shiels
We blame the NRA and we are right
We blame the senators who promised and who fled
We blame those deaf to Gabby Giffords' words
We blame the treason to the Newtown dead,
Children who might have grown to shoot a gun
With 10, 20, 30-round clips at firing ranges
Or much more likely so our pollsters say
Joined generations in demanding changes,
We’re told that frontier heritage floods the veins
Of hunters bred from generations shooting game
To feed their families, or to settle scores, or
Amendment Two invoked to silence 'Shame'!
Cried out by families of the dead and maimed
And those who stand With them, asking why
Their Congress fears those background checks and more
The voters who will end their time upon the Hill,
The NRA ‘knows’ it’s people and not guns that kill
And more, that offense is the best defense
And so it falls to Bloomberg, you and me
To jettison sweet reason for sweet cash,
To target at election time not just
Those who caved to those who swore to stand
Against the firearms absolutists, but those
Who never gave a thought to voting Yes,
Yes to sane measures-- these must be made to sweat
Offense best defense indeed and yet,
At last only more educated wrath will win
Souls at the polls to redefine what’s Sin.
Sin is allowing the likes of Wayne Pierre
To frame the debate year after year after year.
Frederick Shiels is an aspiring poet and Prof. Emeritus of Politics and History at Mercy College. A few of his longtime friends are Second Amendment nuts.
We blame the NRA and we are right
We blame the senators who promised and who fled
We blame those deaf to Gabby Giffords' words
We blame the treason to the Newtown dead,
Children who might have grown to shoot a gun
With 10, 20, 30-round clips at firing ranges
Or much more likely so our pollsters say
Joined generations in demanding changes,
We’re told that frontier heritage floods the veins
Of hunters bred from generations shooting game
To feed their families, or to settle scores, or
Amendment Two invoked to silence 'Shame'!
Cried out by families of the dead and maimed
And those who stand With them, asking why
Their Congress fears those background checks and more
The voters who will end their time upon the Hill,
The NRA ‘knows’ it’s people and not guns that kill
And more, that offense is the best defense
And so it falls to Bloomberg, you and me
To jettison sweet reason for sweet cash,
To target at election time not just
Those who caved to those who swore to stand
Against the firearms absolutists, but those
Who never gave a thought to voting Yes,
Yes to sane measures-- these must be made to sweat
Offense best defense indeed and yet,
At last only more educated wrath will win
Souls at the polls to redefine what’s Sin.
Sin is allowing the likes of Wayne Pierre
To frame the debate year after year after year.
Frederick Shiels is an aspiring poet and Prof. Emeritus of Politics and History at Mercy College. A few of his longtime friends are Second Amendment nuts.
Selasa, 12 Maret 2013
MY GUNS ARE NAMED JESUS
by S
for Wayne and Ted
Before I slide between the sheets each night
I kneel and pray to my guns
All 352 dozing in the safes
I call them Jesus
I pray to them they'll never leave
I pray to them for loyalty and inspiration
To commit the be all to end all gun crime
And then I realize there'll never be
What anti-gunners call the tipping point
The tipping point will never occur
Too many people like me are out there
Jesus, why are you so beautiful
In blue and black steel
Home to majestic barrels of death
Why do you seduce me
With holy matrimony
Of terror and helpless innocence
My aunt told me angels of the Bible
Were men with girls' faces
That means they're devious monsters
That means you can call me the angel of mayhem
There is no tipping point
Never will be a tipping point
But I pray I change that
I pray to my companions of love
My instruments of evil
That I'll be the tipping point
The be all to end all
Allen Ginsberg called everything holy
Only the gun is holy
Its supplicants for war and murder are holy
The bountiful bullet is holy
The magazine is holy
The trigger is holy
I'm holy in my embrace of the tipping point
America go fuck yourself with your assault rifles
When I'm alone with Glocks and Colts
And Sig Sauers and Berettas and M-16s
I dream of the last day that'll bless me
With colors of flame and blood
I'd rather be with them
Than a woman who's kind
I'd rather stroke, clean, and wash them
In the oily rags they lie in
Stacked in the safes dreaming
I have too many heroes to mention
Granddaddy of us all
Charles Whitman in the Texas Tower
The two Columbine creeps
The Batman bozo from Colorado
The Newtown nerd baby blaster
Too many to recall
Way too many
When I was small my mother and father
Bought me play guns but never real ones
They gave me a Davy Crockett rifle
And a Roy Rogers revolver
A squirt gun I loaded with piss
A plastic machine gun from Company A
I had more guns as a kid than I do now
But they were fart jokes
I started amassing real ones
All dull steel and forged from sins
Of kind ancestors who earned this land
By killing anybody in the way
Of their manifest destiny
The more I shopped the more I wanted to buy
The more I stockpiled the lovelier they grew
I began to name each one a different name
But then decided they were the Son of God
So I called them Jesus
Jesus protect me in weak moments
Protect me against criminals and miscreants
Who aren't the same color as I am
Protect me against anybody that breaks into this mansion
Protect me against the asshole who pisses me off
Allow me to succumb to no one but you
Bless me with kind and gentle holiness
Caress me like dark women I'll never love
One day decades ago a slick punk pulled
A revolver on me and two sisters
They screamed and before he knew it
I slugged him in the mouth
Grabbed the gun from his skinny hands
And stuck it in his crotch
Pulling the trigger as he begged
When I smelled the smoke I smiled
That was my first gun and first kill
My first hallelujah of sweet horror
My guns are my savior
My guns are my life
I love and protect my guns
As they love and protect me
That's why I call them Jesus
The be all to end all
Two of my favorite gun scenes in movies
Are the Russian Roulette suicide in The Deer Hunter
When Walken wears a bandanna of blood
And when Stallone blasts away
In Rambo with an M60
Now those are righteous kills
I have a room full of gun videos
The Sniper movies, How to Clean Guns Blindfolded
The Jackal with Willis remote controlling
His First Lady carnage
All of them better than titties and ass
And fuck video games because
They're not real enough to get my rocks off
I'm gonna be the be all to end all
The tipping point to tip the balance
I'll sneak into the Academy Awards a week early
Wait for days in a cubby hole
With bags of chips and cases of beer
Hide where no one sees me until it's too late
And pull out Jesus in their black beauty
And imminent destruction
Mowing down glamor icons of America
Hundreds of them in gowns and tuxes
Like the glory hogs they are
Their brains and limbs decorate the hall
Closing credits to end their stupid lives
And I'll own the fame I crave and deserve
More fame than they could ever have
Because I love Jesus with my heart and soul
I'll be the be all to end all
The final tipping point
Of all tipping points
The ultimate glory hog.
![]() |
| Image source: Kind of Creepy |
for Wayne and Ted
Before I slide between the sheets each night
I kneel and pray to my guns
All 352 dozing in the safes
I call them Jesus
I pray to them they'll never leave
I pray to them for loyalty and inspiration
To commit the be all to end all gun crime
And then I realize there'll never be
What anti-gunners call the tipping point
The tipping point will never occur
Too many people like me are out there
Jesus, why are you so beautiful
In blue and black steel
Home to majestic barrels of death
Why do you seduce me
With holy matrimony
Of terror and helpless innocence
My aunt told me angels of the Bible
Were men with girls' faces
That means they're devious monsters
That means you can call me the angel of mayhem
There is no tipping point
Never will be a tipping point
But I pray I change that
I pray to my companions of love
My instruments of evil
That I'll be the tipping point
The be all to end all
Allen Ginsberg called everything holy
Only the gun is holy
Its supplicants for war and murder are holy
The bountiful bullet is holy
The magazine is holy
The trigger is holy
I'm holy in my embrace of the tipping point
America go fuck yourself with your assault rifles
When I'm alone with Glocks and Colts
And Sig Sauers and Berettas and M-16s
I dream of the last day that'll bless me
With colors of flame and blood
I'd rather be with them
Than a woman who's kind
I'd rather stroke, clean, and wash them
In the oily rags they lie in
Stacked in the safes dreaming
I have too many heroes to mention
Granddaddy of us all
Charles Whitman in the Texas Tower
The two Columbine creeps
The Batman bozo from Colorado
The Newtown nerd baby blaster
Too many to recall
Way too many
When I was small my mother and father
Bought me play guns but never real ones
They gave me a Davy Crockett rifle
And a Roy Rogers revolver
A squirt gun I loaded with piss
A plastic machine gun from Company A
I had more guns as a kid than I do now
But they were fart jokes
I started amassing real ones
All dull steel and forged from sins
Of kind ancestors who earned this land
By killing anybody in the way
Of their manifest destiny
The more I shopped the more I wanted to buy
The more I stockpiled the lovelier they grew
I began to name each one a different name
But then decided they were the Son of God
So I called them Jesus
Jesus protect me in weak moments
Protect me against criminals and miscreants
Who aren't the same color as I am
Protect me against anybody that breaks into this mansion
Protect me against the asshole who pisses me off
Allow me to succumb to no one but you
Bless me with kind and gentle holiness
Caress me like dark women I'll never love
One day decades ago a slick punk pulled
A revolver on me and two sisters
They screamed and before he knew it
I slugged him in the mouth
Grabbed the gun from his skinny hands
And stuck it in his crotch
Pulling the trigger as he begged
When I smelled the smoke I smiled
That was my first gun and first kill
My first hallelujah of sweet horror
My guns are my savior
My guns are my life
I love and protect my guns
As they love and protect me
That's why I call them Jesus
The be all to end all
Two of my favorite gun scenes in movies
Are the Russian Roulette suicide in The Deer Hunter
When Walken wears a bandanna of blood
And when Stallone blasts away
In Rambo with an M60
Now those are righteous kills
I have a room full of gun videos
The Sniper movies, How to Clean Guns Blindfolded
The Jackal with Willis remote controlling
His First Lady carnage
All of them better than titties and ass
And fuck video games because
They're not real enough to get my rocks off
I'm gonna be the be all to end all
The tipping point to tip the balance
I'll sneak into the Academy Awards a week early
Wait for days in a cubby hole
With bags of chips and cases of beer
Hide where no one sees me until it's too late
And pull out Jesus in their black beauty
And imminent destruction
Mowing down glamor icons of America
Hundreds of them in gowns and tuxes
Like the glory hogs they are
Their brains and limbs decorate the hall
Closing credits to end their stupid lives
And I'll own the fame I crave and deserve
More fame than they could ever have
Because I love Jesus with my heart and soul
I'll be the be all to end all
The final tipping point
Of all tipping points
The ultimate glory hog.
Label:
Academy Awards,
Allen Ginsberg,
angels,
Batman,
Beretta,
Bible,
Charles Whitman,
Colt,
Davy Crockett,
Glock,
guns,
Jesus,
M-16,
Newtown,
pray,
Roy Rogers,
sig Sauer,
Stallone,
Walken
Sabtu, 02 Februari 2013
UNDER THE FULL WOLF MOON (OREGON 16)
by Tricia Knoll
Tricia Knoll is a Portland, Oregon poet who has howled with wolves and been bitten in the neck by a captive coyote. She is working on a poetry chapbook about humans and wildlife in the urban environment.
![]() | |
| In the third week of January a hunter in the Boise National Forest (Idaho) shot Oregon 16, a collared Oregon wolf. Oregon Fish and Wildlife reported Oregon 16's death on January 24, but the shooting occurred the week before. Image source: Defenders of Wildlife |
This January lamp of ice and silver
is stage light for wolf packs howling
hungry at the treeline
below clouds scuttled in thawing winds,
under this full wolf moon
collared yearling Oregon 16, a gray,
left the Blue Mountains, crossed the wrong
north border, swam the Snake,
ran his wild miles
to Boise National Forest
where a hunter shot him --
second Oregon wolf
to die in Idaho
(media darling Oregon 7
made it to California --
without a shot fired)
with all the sadness trapped
in my breastbone for refugee
mothers inside fences of mud
holding babies dying
from typhus, for children
gunned down in elementary school
and the hurts
of people shooting their brains out
in this gun-market world,
how is there room to mourn
Oregon 16
or how can
there not be room
under his namesake moon
Tricia Knoll is a Portland, Oregon poet who has howled with wolves and been bitten in the neck by a captive coyote. She is working on a poetry chapbook about humans and wildlife in the urban environment.
Label:
Blue Mountains,
Boise,
collared,
Idaho,
new verse news,
Newtown,
Oregon 16,
Oregon Fish and Wildlife,
poetry,
refugees,
shot,
Tricia Knoll,
wolf,
wolf moon
Kamis, 31 Januari 2013
AFTER THE MASSACRE
by Howie Good
1
January has been mostly absent. No need to look online for what it means. I already know what it means. It means there’s a girl at the door collecting for cancer. Alcohol intensifies the effect. Theology, too. Whoever doesn’t love incongruity doesn’t love me. The clock raises its penciled-in eyebrows. I don’t talk in my sleep; I scream.
2
I wake up to snow drifting down, dry and brittle, like the ashes of murdered six-year-olds. Hey! No problem! the weather girl assures everyone. I have become someone I never wanted to be, the way songs have become their own jingles. Hear it? The cold, dark howls of women giving birth to monsters in attics.
Howie Good, a journalism professor at SUNY New Paltz, is the author of five poetry collections, most recently Cryptic Endearments from Knives Forks & Spoons Press. He has a number of chapbooks forthcoming, including Elephant Gun from Dog on a Chain Press. His poetry has been nominated multiple times for the Pushcart Prize and Best of the Net anthology. goodh51(at)gmail.com.
![]() |
| Photograph by Phil Armitage |
1
January has been mostly absent. No need to look online for what it means. I already know what it means. It means there’s a girl at the door collecting for cancer. Alcohol intensifies the effect. Theology, too. Whoever doesn’t love incongruity doesn’t love me. The clock raises its penciled-in eyebrows. I don’t talk in my sleep; I scream.
2
I wake up to snow drifting down, dry and brittle, like the ashes of murdered six-year-olds. Hey! No problem! the weather girl assures everyone. I have become someone I never wanted to be, the way songs have become their own jingles. Hear it? The cold, dark howls of women giving birth to monsters in attics.
Kamis, 24 Januari 2013
HIS NAME
by Andrea Marcusa
![]() |
| Image source: Mansfield News Journal |
The most pointless thing of all was how he wasn’t allowed to have his name stitched on his school knapsack – strangers can steal a child that way. So were those vaccinations against diphtheria, meningitis, polio and the morning vitamin he hated – a chewable pink bear. Or that car seat he was made to sit in on rides to school, even though most of his friends no longer had to use one, so futile. But there was something about his name – he’d taught himself to write it all by himself when he was two. Wanted everyone to use his full name. Not a nickname, not a shortened version. A good strong one for a boy. Greek, after an apostle, after a king, and his grandfather in Alaska. But that morning in the classroom with them all scattered around--there was no way to tell--no trace of it anywhere on him. But inside the neck of his too big, long-sleeved striped jersey, a strange, gloved hand peeled back the collar where he was found limp and face down, and that’s when they spotted it -- in black markered script. Dear child, in those first minutes, even your name was gone, displaced by the one on a hand-me-down from your brother, now a fourth grader in a classroom on the other end of the school, where he was crouched trembling, hiding in the closet.
Andrea Marcusa's work has appeared in The New York Times, The Christian Science Monitor, The Ontario Review, The Antigonish Review, Copper Nickel, NewSouth, and other publications. Her work appeared in the essay collection, In the Fullness of Time (Simon and Schuster). She was a finalist in the Ontario Review’s 2007 fiction competition and winner of the Antigonish Review 2008 Fiction competition. She divides her time between literary writing and working in the areas of health care and sustainable agriculture. She lives in New York City with her husband, two sons and pet cockatiel, Turko.
Kamis, 10 Januari 2013
CONFUSED
by Eloise Bruce
When you relish Mossberg, Rock River and Rugger
how do we know if you are a good man or a bad man?
Maybe of two minds, you are a good man who kills the bad man
or vice versa? Are you the kind of man following orders
to shoot students to death in Kent Ohio.
Are you an autistic boy with an AR-15 assault rifle
or a crazy man or maybe a bad woman
with a sig Sauer semiautomatic?
You can get an assault weapon in mossy oak pink camouflage.
Are you wearing a uniform or a badge
and aiming a Glock 9-millimeter while worshipping
the Berretta, Bushmaster, Colt?
Are you armed like the deputy
was at Columbine? Did you fire at the bad boy?
Did you miss? did he miss?
Eloise Bruce’s book Rattle was published by CavenKerry Press, and she is a member of the poetry and performance group Cool Women. She has been involved with Playwrights Theatre’s initiative for Poetry Out Loud from its beginning in 2005. A a Teaching Artist in schools throughout New Jersey, she focuses on poetry and theatre. She teaches for the Arts and Education Center working with middle school writers. A fellow with the Cloud Institute for Sustainable Education, Bruce is currently working with Young Audiences of New Jersey and Eastern Pennsylvania on Beyond Recycling, a project allowing children to explore sustainability through the arts.
![]() | |
| The bottom of the ad reads, "If it's good enough for the professional, it's good enough for you." Image source: Business Insider. |
When you relish Mossberg, Rock River and Rugger
how do we know if you are a good man or a bad man?
Maybe of two minds, you are a good man who kills the bad man
or vice versa? Are you the kind of man following orders
to shoot students to death in Kent Ohio.
Are you an autistic boy with an AR-15 assault rifle
or a crazy man or maybe a bad woman
with a sig Sauer semiautomatic?
You can get an assault weapon in mossy oak pink camouflage.
Are you wearing a uniform or a badge
and aiming a Glock 9-millimeter while worshipping
the Berretta, Bushmaster, Colt?
Are you armed like the deputy
was at Columbine? Did you fire at the bad boy?
Did you miss? did he miss?
Eloise Bruce’s book Rattle was published by CavenKerry Press, and she is a member of the poetry and performance group Cool Women. She has been involved with Playwrights Theatre’s initiative for Poetry Out Loud from its beginning in 2005. A a Teaching Artist in schools throughout New Jersey, she focuses on poetry and theatre. She teaches for the Arts and Education Center working with middle school writers. A fellow with the Cloud Institute for Sustainable Education, Bruce is currently working with Young Audiences of New Jersey and Eastern Pennsylvania on Beyond Recycling, a project allowing children to explore sustainability through the arts.
Label:
AR-15,
assault weapon,
Berretta,
Bushmaster,
Colt,
Columbine,
Eloise Bruce,
Glock,
Kent Ohio,
Mossberg,
new verse news,
Newtown,
poetry,
Rock River,
Rugger,
sig Sauer
Selasa, 08 Januari 2013
THE YEAR IN REVIEW IN PICTURES: AN ABRIDGED SECTION
by Alan Catlin
“Every war is ironic because every war is worse
than expected.” Paul Fussell 1924-2012
American sailors with captured Somali pirates
Thousands of people return home after ten years of war, Darfur
Frozen child, refugee camp, Afghanistan
Man on fire running, New Delhi
Nik Wallenda highwire walking over Niagara Falls Gorge
Kim Jong reviewing the troops, May Day, North Korea
Human skull and bones mass grave, Mazar I Sharif, Afghanistan
Pussy Riot in Moscow Courtroom cage
Wendy Maritza Rodriquez after seeing the corpse of a relative
Forty six new graves cut in a field, Krymsk, Russia
Statue of Blessed Virgin Mary after the fire, Breezy Point, Queens
Aerial View of Manhattan showing blackout of the city after Sandy
Israeli family braced for incoming rockets near Ashdod
Palestine residents clearing debris, Gaza City, the next day
Night in Syria after airstrike in Aleppo
26 killed, 20 children, 6 adults, Newtown, Connecticut elementary
school massacre (not shown)
Alan Catlin has published numerous chapbooks and full-length books of poetry and prose, the latest of which, from Pygmy Forest Press, is Alien Nation.
![]() |
2012 Collage by Laura Serra |
“Every war is ironic because every war is worse
than expected.” Paul Fussell 1924-2012
American sailors with captured Somali pirates
Thousands of people return home after ten years of war, Darfur
Frozen child, refugee camp, Afghanistan
Man on fire running, New Delhi
Nik Wallenda highwire walking over Niagara Falls Gorge
Kim Jong reviewing the troops, May Day, North Korea
Human skull and bones mass grave, Mazar I Sharif, Afghanistan
Pussy Riot in Moscow Courtroom cage
Wendy Maritza Rodriquez after seeing the corpse of a relative
Forty six new graves cut in a field, Krymsk, Russia
Statue of Blessed Virgin Mary after the fire, Breezy Point, Queens
Aerial View of Manhattan showing blackout of the city after Sandy
Israeli family braced for incoming rockets near Ashdod
Palestine residents clearing debris, Gaza City, the next day
Night in Syria after airstrike in Aleppo
26 killed, 20 children, 6 adults, Newtown, Connecticut elementary
school massacre (not shown)
Alan Catlin has published numerous chapbooks and full-length books of poetry and prose, the latest of which, from Pygmy Forest Press, is Alien Nation.
Sabtu, 05 Januari 2013
FORENSICS
by Tony Brown
We have exhausted all leads
as the clock runs out.
People died. Who and what
we should blame is not clear.
If there’s a connecting thread
or line to explain what led to…this,
it remains unseen. It’s not a conspiracy thing;
shit’s just complicated. Maybe some of it
is about malice, but mostly
it’s about acceptance
of unintended consequences
and ignorance of how to stop
thinking we are so damn omniscient.
We’re not, of course; that’s obvious.
We’re blind little beggars or huge deaf kings.
No one is paying attention,
or paying for us to pay attention.
We’re broke and we’re out of time.
If we want to know who did what,
if we are ever to learn that,
we are going to have to start time again.
Build a world differently — more windows and doors,
fewer walls. And most of all
we’re going to have to build a better clock.
Something with longer hours, days, years.
Something based on the Mayan model, perhaps,
with lots
of resets.
Tony Brown, a three time Pushcart Prize nominee, lives in Worcester, MA, and is one half of the poetry and music duo The Duende Project.
![]() |
| Milky Way Clock by Henrik Amberla. Image source: I New Idea Homepage |
We have exhausted all leads
as the clock runs out.
People died. Who and what
we should blame is not clear.
If there’s a connecting thread
or line to explain what led to…this,
it remains unseen. It’s not a conspiracy thing;
shit’s just complicated. Maybe some of it
is about malice, but mostly
it’s about acceptance
of unintended consequences
and ignorance of how to stop
thinking we are so damn omniscient.
We’re not, of course; that’s obvious.
We’re blind little beggars or huge deaf kings.
No one is paying attention,
or paying for us to pay attention.
We’re broke and we’re out of time.
If we want to know who did what,
if we are ever to learn that,
we are going to have to start time again.
Build a world differently — more windows and doors,
fewer walls. And most of all
we’re going to have to build a better clock.
Something with longer hours, days, years.
Something based on the Mayan model, perhaps,
with lots
of resets.
Tony Brown, a three time Pushcart Prize nominee, lives in Worcester, MA, and is one half of the poetry and music duo The Duende Project.
Selasa, 01 Januari 2013
AFTER
by Shirley J. Brewer
A thousand brand new toys
fill this Newtown warehouse
stuffed with grief from far away.
In a house of loss, parents hug
one old teddy bear—
the fur loved off its face.
Shirley J. Brewer (Baltimore , MD ) is a poet, educator, and workshop facilitator. Her poetry has appeared in The Cortland Review, Comstock Review, Passager, New Verse News, Innisfree Poetry Journal, and other publications. Her poetry chapbook, A Little Breast Music, was published in 2008 by Passager Books. A second book of poems, After Words, is forthcoming in early 2013 from Apprentice House/Loyola University.
Minggu, 30 Desember 2012
TO THE DEAD
by Sarah Edwards
They say
you died for something noble
flag
cause
defense
revolution
greater good
They say
you died for something gained.
ground
territory
respect
equality
justice
But if you are a child…
they say
this time you died for nothing
except my right to kill you
before you learn nobility and gain,
before you get a chance to choose
what is worth dying for
Rev. Sarah Edwards is a retired clergyperson in the United Church of Christ. She is active in the North Carolina Poetry Society, is a student of poetry at Duke University and the poetry of life.
Rabu, 26 Desember 2012
THE APOCALYPSE GOES UNNOTICED IN NEWTOWN
by Catherine McGuire
And on Turkish borders, huddled tents
have no preps for crisis. Trenton slums,
the barrios of Rio, the drained and droughty deltas
and enter; no one will care.
Which is to say, the world is always ending;
our treasures crumble, dust to dust.
The myth-inflated bogeys threaten
while behind our backs, our futures rust.
Catherine McGuire is a writer and artist with a deep interest in philosophy, the “Why we are here?” question that lurks under so much of our lives. She will have a chapbook released by Uttered Chaos in September. It is tentatively titled, Reflections, Echoes and Palimpsests. She is webmaster for the Oregon Poetry Society and claims her entire garden as her 'poetry office'.
Senin, 24 Desember 2012
FOR THE REPOSE OF SOULS
by Carol Alexander
A pair of peafowl floats down from the trees,
the wan hen and florid cock picking their way
while the river slowly slips back in its banks.
The boy in his tall wading books creeps after,
licking rust from the muzzle of his gun.
The juddering of a turquoise fan perhaps will be
as close to flame of phoenix as spirit will draw.
But we were born in fire, and to fire will come.
The woman with the small communion dress
rocks in her chair in her ordinary room
room with its proportions rudely skewed;
shocked feathers of the peafowls gently float down.
With their saintly calendar of woes,
country men and women walk in sober twos.
Still the shops stay open; trees blink red and green,
children dash across the street, cars swerve,
we hear the Morse code of the coming snow,
birds in starry park all the news that we can bear.
A pallid smoke in its helix twists and frays,
as if to question who to go and how to stay?
You mummers in a masquerade of death
shoot off your pop guns, begging cakes and ale.
Neither the country nor the quiet grave where we lay
our old ones down in the lightness of their years,
is this cold town where we have just begun to pray.
But unicorns and little maids remain entwined
(in sable trees an archer waits and strings his silent bow).
A writer for trade and educational publishing, Carol Alexander has authored numerous children’s books, served as a ghostwriter for radio and trade publishing, and taught at colleges around the metropolitan area. In 2011-2012, her poetry appears—or is scheduled to appear-- in literary journals and anthologies published by Avocet, Boyne Berries (UK), Chiron Review, Cave Moon Press, The Canary, Danse Macabre, Earthspeak, Eunoia Review, Fade Poetry Journal (UK), Fat Daddy’s Farm Press, Fried Chicken and Coffee, The Mad Hatter’s Review, Mobius, Numinous, OVS, Red Poppy Review, Red River Review, River Poets Journal, Sleeping Cat Books, The Whistling Fire, and Write Wing Publishing.
![]() |
| A Berkeley, CA vigil held to remember the victims and families of the Newtown, CT, massacre. Photo: Jeremy Pollack/Creative Commons |
A pair of peafowl floats down from the trees,
the wan hen and florid cock picking their way
while the river slowly slips back in its banks.
The boy in his tall wading books creeps after,
licking rust from the muzzle of his gun.
The juddering of a turquoise fan perhaps will be
as close to flame of phoenix as spirit will draw.
But we were born in fire, and to fire will come.
The woman with the small communion dress
rocks in her chair in her ordinary room
room with its proportions rudely skewed;
shocked feathers of the peafowls gently float down.
With their saintly calendar of woes,
country men and women walk in sober twos.
Still the shops stay open; trees blink red and green,
children dash across the street, cars swerve,
we hear the Morse code of the coming snow,
birds in starry park all the news that we can bear.
A pallid smoke in its helix twists and frays,
as if to question who to go and how to stay?
You mummers in a masquerade of death
shoot off your pop guns, begging cakes and ale.
Neither the country nor the quiet grave where we lay
our old ones down in the lightness of their years,
is this cold town where we have just begun to pray.
But unicorns and little maids remain entwined
(in sable trees an archer waits and strings his silent bow).
A writer for trade and educational publishing, Carol Alexander has authored numerous children’s books, served as a ghostwriter for radio and trade publishing, and taught at colleges around the metropolitan area. In 2011-2012, her poetry appears—or is scheduled to appear-- in literary journals and anthologies published by Avocet, Boyne Berries (UK), Chiron Review, Cave Moon Press, The Canary, Danse Macabre, Earthspeak, Eunoia Review, Fade Poetry Journal (UK), Fat Daddy’s Farm Press, Fried Chicken and Coffee, The Mad Hatter’s Review, Mobius, Numinous, OVS, Red Poppy Review, Red River Review, River Poets Journal, Sleeping Cat Books, The Whistling Fire, and Write Wing Publishing.
Sabtu, 22 Desember 2012
THE NEWTOWN MASSACRE
by Buff Whitman-Bradley
When my children were little
I used to tell them that I was a giraffe
You’re not a giraffe, Daddy!
They would insist
But I stuck to my story
Oh yes I am
When their friends came over
My children would say
Our Daddy says he is a giraffe
But he’s not
The friends would look at me quizzically
And I would say
Oh yes I am
One year I decorated a birthday cake
With a pink and green giraffe
That’s me I said
And although my daughter was growing older
And no longer amused by the same old routine
She indulged me and said
You’re not a giraffe, Daddy
But I could see in her eyes
What she was really thinking –
Whatever
And soon I stopped being a giraffe
Once and for all
I remembered all this today
As I stood silently in the rain
In our little town’s park
With one of my grown daughters
And a score of others grieving the gunning down
Of twenty school children in Connecticut
And I thought about
All the silly-dumb-boring family jokes
Those murdered children will not hear
Over and over and over again
About all the stories that will not be read aloud
About the bikes and games and snazzy sneakers
That won’t get bought for birthdays
About the pet names and nicknames
That will go unused
Missy, Natty, Buddy Boy, Baby Cakes
Mikey, Skeeter, Nan
I believe I chose to be a giraffe
Because it seems such an odd and improbable creature
Something Evolution doodled on a notepad
During a long dull meeting
A goofy-looking non-threatening beast
That doesn’t scare little ones
A gentle quiet Mister Rogers kind of animal
With a body as big as a house
Where a child could take shelter during a storm
And be safe
It is morning in the Serengeti
Clear skies 60-plus degrees and climbing
And while giraffes are waking up to another day
Of browsing in the treetops
And caring for their young
A long cold dark night begins
In Newtown, Connecticut
And in the wintery, violence-wracked heart of America
Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.
![]() |
| Human Giraffe by Subwaysurfer. Image source: Art Jumble Blog |
When my children were little
I used to tell them that I was a giraffe
You’re not a giraffe, Daddy!
They would insist
But I stuck to my story
Oh yes I am
When their friends came over
My children would say
Our Daddy says he is a giraffe
But he’s not
The friends would look at me quizzically
And I would say
Oh yes I am
One year I decorated a birthday cake
With a pink and green giraffe
That’s me I said
And although my daughter was growing older
And no longer amused by the same old routine
She indulged me and said
You’re not a giraffe, Daddy
But I could see in her eyes
What she was really thinking –
Whatever
And soon I stopped being a giraffe
Once and for all
I remembered all this today
As I stood silently in the rain
In our little town’s park
With one of my grown daughters
And a score of others grieving the gunning down
Of twenty school children in Connecticut
And I thought about
All the silly-dumb-boring family jokes
Those murdered children will not hear
Over and over and over again
About all the stories that will not be read aloud
About the bikes and games and snazzy sneakers
That won’t get bought for birthdays
About the pet names and nicknames
That will go unused
Missy, Natty, Buddy Boy, Baby Cakes
Mikey, Skeeter, Nan
I believe I chose to be a giraffe
Because it seems such an odd and improbable creature
Something Evolution doodled on a notepad
During a long dull meeting
A goofy-looking non-threatening beast
That doesn’t scare little ones
A gentle quiet Mister Rogers kind of animal
With a body as big as a house
Where a child could take shelter during a storm
And be safe
It is morning in the Serengeti
Clear skies 60-plus degrees and climbing
And while giraffes are waking up to another day
Of browsing in the treetops
And caring for their young
A long cold dark night begins
In Newtown, Connecticut
And in the wintery, violence-wracked heart of America
Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.
Label:
Buff Whitman-Bradley,
children,
Connecticut,
family jokes,
giraffe,
imaginary,
massacre,
Mister Rogers,
new verse news,
Newtown,
poetry,
school,
Serengeti,
winter
Kamis, 20 Desember 2012
777 MILES FROM SANDY HOOK ELEMENTARY SCHOOL
by J.M. Green
December 14, 2012
I.
Had lunch with Jim. It’d been like months. We shelved
work shit – talked girls, our little girls. A choice
unspoken. Something eyes and breaths just delved
into. His talk: importance of her voice
when boys round first base. Mine: importance of
her keeping track of mittens. We agreed
joyful and kind were virtues far above
“gifted.” By God our ladies better bleed
real empathy and social justice! Jim
shared family stuff he never shared before.
The secret turned to silence, not a grim
silence, but strong silence with dad rapport.
We laughed down Ludlow Avenue, both bugged
by Christmas pop songs. We shook hands then hugged.
II.
I drove off, pressed for time. This day was my
day – carpool pick up. We drive because of
school cut backs. More recession bullshit I
adjust my day for. News brooded above
the dashboard like a gray haze. Blindly I
fell in the carpool line at Heritage
Elementary. Not the same school some guy,
no, some fucking crazy psychopath barged
into killing our kids. A saved school for
now – thank God. Parents sat in their cars, I
saw, staring through their hazes. My car doors
opened – Audrey and the neighbor girls – I
switched channels quick. They jumped right into song
with Mariah’s Christmas wish. I stayed strong.
J.M. Green is the author of the chapbook Super Rich (Pudding House, 2008). His work is forthcoming or has been recently published in New Mirage Journal, Ginger Piglet, The Oklahoma Review, Cincinnati Magazine and other journals. Green is a librarian with the Wyoming Branch of The Public Library of Cincinnati and Hamilton County. He lives in West Chester, OH with his wife and daughter.
December 14, 2012
I.
Had lunch with Jim. It’d been like months. We shelved
work shit – talked girls, our little girls. A choice
unspoken. Something eyes and breaths just delved
into. His talk: importance of her voice
when boys round first base. Mine: importance of
her keeping track of mittens. We agreed
joyful and kind were virtues far above
“gifted.” By God our ladies better bleed
real empathy and social justice! Jim
shared family stuff he never shared before.
The secret turned to silence, not a grim
silence, but strong silence with dad rapport.
We laughed down Ludlow Avenue, both bugged
by Christmas pop songs. We shook hands then hugged.
II.
I drove off, pressed for time. This day was my
day – carpool pick up. We drive because of
school cut backs. More recession bullshit I
adjust my day for. News brooded above
the dashboard like a gray haze. Blindly I
fell in the carpool line at Heritage
Elementary. Not the same school some guy,
no, some fucking crazy psychopath barged
into killing our kids. A saved school for
now – thank God. Parents sat in their cars, I
saw, staring through their hazes. My car doors
opened – Audrey and the neighbor girls – I
switched channels quick. They jumped right into song
with Mariah’s Christmas wish. I stayed strong.
J.M. Green is the author of the chapbook Super Rich (Pudding House, 2008). His work is forthcoming or has been recently published in New Mirage Journal, Ginger Piglet, The Oklahoma Review, Cincinnati Magazine and other journals. Green is a librarian with the Wyoming Branch of The Public Library of Cincinnati and Hamilton County. He lives in West Chester, OH with his wife and daughter.
Senin, 17 Desember 2012
DECEMBER ONCE AGAIN
by Diana Woodcock
What can I write to shed light
on this dark December night?
A Connecticut town grieves for
twenty-six dead—victims of the latest
school shooting. Tibetans are setting
themselves on fire for freedom,
ninety-five since February, 2009.
Listening to musicians walking the bass,
feathering the line, I let the blues take me,
wrap me in the Great Mystery.
All are one, meant to sing and sway
together, to love. The blues is all about
love, longing, loss, listening,
improvising, sharing our stories and
struggles, recognizing each other
as sister and brother.
Look into the faces around you
moved by music—see how they
seem familiar? What better way
to pray for justice, an end to violence,
than to sway to the swing of jazz?
A Pakistani girl shot in the head
because the Taliban cannot understand
her hunger and yearning for higher
learning; they do not recognize
she is their sister. Let the blues take me.
shape my prayer for peace, lead me
to transcend nihilism, alienation.
Listening to the blues, to the sounds of
migrant workers in this oil-rich desert town.
Thinking about blood diamonds,
underground railroads, women and girls
sold into the sex trade.
This is Advent season, time
for preparing for the light.
Long dark December nights.
Listen to the blues. Gaza. Aleppo.
Keep listening. The call to prayer
mid-day, the mosque. Revisionist
Zionist leaders. Jihad. Refugees.
Cambodian children amputees
still playing among landmines.
Dear jazz drummer, please
keep feathering the line.
Diana Woodcock’s first full-length collection, Swaying on the Elephant’s Shoulders—nominated for a Kate Tufts Discovery Award—won the 2010 Vernice Quebodeaux International Poetry Prize for Women and was published by Little Red Tree Publishing in 2011. Her chapbooks are In the Shade of the Sidra Tree (Finishing Line Press), Mandala (Foothills Publishing), and Travels of a Gwai Lo—the title poem of which was nominated for a Pushcart Prize. She has been teaching at Virginia Commonwealth University in Qatar since 2004. Prior to that, she lived and worked in Tibet, Macau and Thailand.
![]() |
| "Jazz Beat" painting by Debra Hurd |
What can I write to shed light
on this dark December night?
A Connecticut town grieves for
twenty-six dead—victims of the latest
school shooting. Tibetans are setting
themselves on fire for freedom,
ninety-five since February, 2009.
Listening to musicians walking the bass,
feathering the line, I let the blues take me,
wrap me in the Great Mystery.
All are one, meant to sing and sway
together, to love. The blues is all about
love, longing, loss, listening,
improvising, sharing our stories and
struggles, recognizing each other
as sister and brother.
Look into the faces around you
moved by music—see how they
seem familiar? What better way
to pray for justice, an end to violence,
than to sway to the swing of jazz?
A Pakistani girl shot in the head
because the Taliban cannot understand
her hunger and yearning for higher
learning; they do not recognize
she is their sister. Let the blues take me.
shape my prayer for peace, lead me
to transcend nihilism, alienation.
Listening to the blues, to the sounds of
migrant workers in this oil-rich desert town.
Thinking about blood diamonds,
underground railroads, women and girls
sold into the sex trade.
This is Advent season, time
for preparing for the light.
Long dark December nights.
Listen to the blues. Gaza. Aleppo.
Keep listening. The call to prayer
mid-day, the mosque. Revisionist
Zionist leaders. Jihad. Refugees.
Cambodian children amputees
still playing among landmines.
Dear jazz drummer, please
keep feathering the line.
Diana Woodcock’s first full-length collection, Swaying on the Elephant’s Shoulders—nominated for a Kate Tufts Discovery Award—won the 2010 Vernice Quebodeaux International Poetry Prize for Women and was published by Little Red Tree Publishing in 2011. Her chapbooks are In the Shade of the Sidra Tree (Finishing Line Press), Mandala (Foothills Publishing), and Travels of a Gwai Lo—the title poem of which was nominated for a Pushcart Prize. She has been teaching at Virginia Commonwealth University in Qatar since 2004. Prior to that, she lived and worked in Tibet, Macau and Thailand.
Minggu, 16 Desember 2012
HAPPY BIRTHDAY
by Rhiannon Thorne
Next year I will wrap you presents
and you will not understand the need for bows,
but will reach towards them for days
in anticipation.
I will fret my wardrobe decision: do I dress you
for photographs or in a pattern that will hide
your smudgy fingerprints? Or maybe the floral one
your grandmother, your father's mother,
will surely buy you to match her couch.
You'll have to wear it sometime, anyways,
to appease her.
You will laugh, pressing slobbered fingers
into sticky cake, and scowl at the flash while I sing you
Happy Birthday; whisper in your ear:
it was the happiest day of my life.
In Connecticut, a former mother will spend the week crying.
She will wonder what flowers
she should order for your birthday: White roses
or something with color?
She will sink down to her knees on a fresh wound
with well established grass.
I love you, she will say; it was the worst day
of my life.
Rhiannon Thorne’s work has appeared/is forthcoming in Gr@wl!x, Surreal Grotesque, The Legendary, Ditch, The Junk Lot Review, Vox Poetica, Zygote in my Coffee, e-Fiction, and Fried Chicken and Coffee. She also co-edits the online publication cahoodaloodaling.
Next year I will wrap you presents
and you will not understand the need for bows,
but will reach towards them for days
in anticipation.
I will fret my wardrobe decision: do I dress you
for photographs or in a pattern that will hide
your smudgy fingerprints? Or maybe the floral one
your grandmother, your father's mother,
will surely buy you to match her couch.
You'll have to wear it sometime, anyways,
to appease her.
You will laugh, pressing slobbered fingers
into sticky cake, and scowl at the flash while I sing you
Happy Birthday; whisper in your ear:
it was the happiest day of my life.
In Connecticut, a former mother will spend the week crying.
She will wonder what flowers
she should order for your birthday: White roses
or something with color?
She will sink down to her knees on a fresh wound
with well established grass.
I love you, she will say; it was the worst day
of my life.
Rhiannon Thorne’s work has appeared/is forthcoming in Gr@wl!x, Surreal Grotesque, The Legendary, Ditch, The Junk Lot Review, Vox Poetica, Zygote in my Coffee, e-Fiction, and Fried Chicken and Coffee. She also co-edits the online publication cahoodaloodaling.
Sabtu, 15 Desember 2012
SHOWER OF BULLETS
![]() |
| "Will you still see meteors tonight, December 14, 2012?" --EarthSky |
Shower of bullets
replaced one of stars - heartbreak
in Connecticut
Priscilla Lignori is a psychotherapist in private practice and the winner of international awards for haiku poetry. The founder and teacher of Hudson Valley Haiku-kai, a community dedicated to studying and living the Way of Haiku, her poems have been published in the World Haiku Review, The Asahi Hakuist Network, Ko magazine, and The Mainichi Daily News.
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