NEW YEAR'S EVE

by Buff Whitman-Bradley

Image source: Sessions College

Wars bleed
From one year to the next
Greed takes no holiday
Poverty and desperation spread
Like black mold
Across the pages
Of the calendar
I see no reasons to believe
That the coming year
Will be any better
Than the last and
Likely it will be worse
Nevertheless at midnight
I stand outside
In the shivering blackness
And feel myself elated
Once more
By the ancient tableaux
Of winter constellations
Settled into their familiar places
Among the icy stars . . .

No sound no sign
No flash of light
No message from heaven
No harps or bells
But a moment of beauty
On a winter’s night
And an old pessimist’s blind hope
That all will be well


Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War.  He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective).  He lives in northern California.

FOR THE REPOSE OF SOULS

by Carol Alexander

A Berkeley, CA vigil held to remember the victims and families of the Newtown, CT, massacre. Photo: Jeremy Pollack/Creative Commons

A pair of peafowl floats down from the trees,
the wan hen and florid cock picking their way
while the river slowly slips back in its banks.

The boy in his tall wading books creeps after,
licking rust from the muzzle of his gun.

The juddering of a turquoise fan perhaps will be
as close to flame of phoenix  as spirit will draw.
But we were born in fire, and to fire will come.

The woman with the small communion dress
rocks in her chair in her ordinary room
room with its proportions rudely skewed;
shocked feathers of the peafowls gently float down.

With their saintly calendar of woes,
country men and women walk in sober twos.

Still the shops stay open; trees blink red and green,
children dash across the street, cars swerve,
we hear the Morse code of the coming snow,
birds in starry park all the news that we can bear.

A pallid smoke in its helix twists and frays,
as if to question who to go and how to stay?
You mummers in a masquerade of death
shoot off your pop guns, begging cakes and ale.

Neither the country nor the quiet grave where we lay
our old ones down in the lightness of their years,
is this cold town where we have just begun to pray.

But unicorns and little maids remain entwined
(in sable trees an archer waits and strings his silent bow).


A writer for trade and educational publishing, Carol Alexander has authored numerous children’s books, served as a ghostwriter for radio and trade publishing, and taught at colleges around the metropolitan area. In 2011-2012, her poetry appears—or is scheduled to appear-- in literary journals and anthologies published by Avocet, Boyne Berries (UK), Chiron Review, Cave Moon Press, The Canary, Danse Macabre, Earthspeak, Eunoia Review, Fade Poetry Journal (UK), Fat Daddy’s Farm Press, Fried Chicken and Coffee, The Mad Hatter’s Review, Mobius, Numinous, OVS, Red Poppy Review, Red River Review, River Poets Journal, Sleeping Cat Books, The Whistling Fire, and Write Wing Publishing.